Two hands,
two disciplines.
Engineering is what I do. Piano and tennis are how I stay sharp — one trains the hands and the ear, the other trains the feet and the nerve. Here's who I am when I'm not debugging robots or training models.
Classical training. Anime heart.
Years of classical repertoire, happily derailed by improvisation — mostly anime scores reimagined at the keys. Music taught me the patience and the ear that engineering borrows every day.
Doubles, with my dad.
Weekend doubles are a standing appointment. He holds down the deuce court; I cover the ad side. The scoreboard is disputed. The rivalry is not.
Robotics, sociology, and music.
It started with an English class my dad, sister, and I taught to underprivileged kids in Vietnam. That experience left me with a lasting fascination: how technology can quietly improve daily life. It's why I'm drawn to bringing digital intelligence into the physical world in ways that feel natural and responsive — and why I believe engineering works best when its maker has a creative, healthy mind.
